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Easy Piano Exercises for Absolute Beginners to Build Dexterity, Hand Independence & Finger Control

Unlock Your Piano Potential: Beginner-Friendly Exercises for Mastering Essential Skills

I’m famously against practicing piano scales – Not that there’s no value in them, but traditional piano teachers focus on them too much, and they’re really boring. Also, you don’t actually play scales when playing the piano, so the Finger Exercises Module I’ve created for Piano Genius focuses more on improving they way you’ll *actually play piano* instead of hypotheticals.

Ready? Let’s Get Started…

Are you eager to learn piano but feel intimidated by the prospect of reading sheet music and grappling with complex music theory? If so, you’re not alone. Many aspiring pianists, especially absolute beginners, find these traditional starting points daunting and discouraging. That’s where these easy piano exercises come in – they’re designed to help you build essential skills like dexterity, hand independence, and finger control without requiring any prior experience or knowledge of music notation or theory.

In this comprehensive guide, you’ll discover four simple yet effective exercises that will lay a solid foundation for your piano journey. No more feeling overwhelmed or lost; these drills are perfect for complete novices. You’ll learn to train your hands to move independently, improve your finger agility and strength, and develop the muscle memory necessary for seamless playing – all through engaging, hands-on practice.

Whether you’re a curious beginner or someone who has always dreamed of tickling the ivories, these exercises will provide you with a gentle, approachable entry point into the world of piano. With consistent practice, you’ll make remarkable strides in developing the core skills that will enable you to tackle more advanced pieces and techniques with confidence. So, don’t let the fear of sheet music or music theory hold you back any longer – let’s dive in and unlock your piano potential!

1. Introduction to Beginner Piano Exercises

Beginning your piano journey can feel like an uphill battle, with the seemingly daunting tasks of learning to read sheet music and grasping complex music theory. However, it’s essential to remember that every great pianist started as a beginner, and the path to mastery begins with developing core skills like dexterity, hand independence, and finger control. These foundational abilities will serve as the building blocks for your musical prowess, allowing you to tackle more advanced techniques and pieces with confidence.

In this comprehensive guide, we’ll explore four beginner-friendly exercises that will help you cultivate these crucial skills without the need for music notation or theory knowledge. These exercises are designed to be approachable, engaging, and effective for absolute beginners, ensuring that you can start your piano journey on a solid footing.

Through these exercises, you’ll learn to train your hands to move independently, develop finger agility and strength, and build the muscle memory necessary for seamless playing. Whether you’re a curious beginner or someone who has always dreamed of tickling the ivories, these exercises will provide you with a gentle, encouraging entry point into the world of piano. With consistent practice and a positive mindset, you’ll be amazed at the progress you can make in developing the core skills that will unlock your piano potential.

Why These Exercises are Perfect for Absolute Beginners

As an absolute beginner to the world of piano, the thought of diving into sheet music notation and complex music theory can be daunting, often discouraging many from even starting their musical journey. However, these exercises are designed to remove those initial barriers, providing an approachable and encouraging entry point that requires no prior experience or knowledge.

One of the key advantages of these exercises is that they rely solely on physical movements and hand positioning, allowing you to focus entirely on developing the essential skills of dexterity, hand independence, and finger control. By eliminating the need to decipher sheet music or grasp theoretical concepts, you can immerse yourself in the pure joy of playing and let your hands do the learning.

Additionally, these exercises are structured in a way that allows for progressive learning, gradually increasing in complexity as you build your foundational skills. This thoughtful progression ensures that you never feel overwhelmed or discouraged, as each exercise builds upon the previous one, instilling confidence and a sense of accomplishment with every practice session.

Whether you’re a complete novice or someone who has always been intimidated by the prospect of learning music notation, these exercises offer a refreshing and empowering approach to starting your piano journey. By focusing on the fundamentals of dexterity, hand independence, and finger control, you’ll be laying a strong foundation that will serve you well as you continue to grow and explore the vast world of piano playing.

2. Exercise 1: The Five Finger Scale

Our journey into these beginner-friendly piano exercises begins with the deceptively simple yet highly effective Five Finger Scale. This exercise may appear unassuming at first glance, but it holds the key to unlocking two essential skills for any aspiring pianist: hand independence and finger dexterity.

To begin, position your hands on the keys, with your thumbs on the C notes and your remaining fingers spanning outward. Here’s where the magic happens – your left hand will play a smooth, legato rhythm, while your right hand tackles a detached, staccato pattern. As you alternate between these contrasting rhythms, you’ll be training your hands to move independently, a crucial ability for mastering more complex pieces.

But that’s not all – the Five Finger Scale also serves as a fantastic dexterity drill. By focusing on the precise movements of each finger, you’ll gradually improve your finger agility and control. As you progress, challenge yourself by increasing the tempo, always striving for accuracy and evenness in your playing.

Remember, consistency is key. With regular practice of this exercise, you’ll soon notice a remarkable improvement in your hand independence and finger dexterity, laying a solid foundation for your future piano endeavors. Embrace the simplicity of the Five Finger Scale, and let it be your gateway to mastering these essential skills.

Mastering the Smooth vs Detached Hand Movements

Mastering the contrasting hand movements in the Five Finger Scale exercise may seem like a daunting task at first, but with a few helpful tips and consistent practice, you’ll soon be executing the smooth and detached rhythms with ease and control.

One of the keys to success lies in mindful focus. As you position your hands on the keys, take a moment to visualize the desired movements. Imagine your left hand gliding effortlessly across the keys, producing a seamless, legato rhythm, while your right hand articulates each note with a crisp, detached motion. This mental preparation will prime your muscles for the task at hand.

Next, it’s important to pay close attention to your hand positioning and finger curvature. For the smooth left-hand motion, ensure that your fingers maintain a gentle, relaxed curve, allowing them to move fluidly from one key to the next. Conversely, for the detached right-hand rhythm, aim for a more pronounced curvature, using a controlled finger movement to strike each key with precision.

As you practice, don’t be discouraged if the movements feel unnatural or uncoordinated at first. Developing hand independence takes time and patience. Celebrate small victories, and focus on gradual improvement. With each practice session, you’ll gain greater control and confidence in executing these contrasting rhythms.

Remember, mastering these hand movements is a critical stepping stone on your piano journey. Embrace the challenge, stay encouraged, and trust in the process – before long, these once-unfamiliar motions will become second nature, laying the foundation for more advanced techniques.

Increasing Speed and Developing Muscle Memory

As you become more comfortable with the Five Finger Scale exercise, it’s time to take your practice to the next level by gradually increasing the speed and developing muscle memory. This crucial step will not only enhance your overall dexterity but also lay the foundation for effortless playing in the future.

Start by establishing a comfortable tempo that allows you to execute the smooth and detached rhythms with precision and control. Once you’ve mastered this tempo, challenge yourself by incrementally increasing the speed. Resist the temptation to rush or sacrifice accuracy for speed – maintaining proper form and evenness in your movements is essential for building muscle memory.

Throughout this process, remain mindful of your hand positioning, finger curvature, and overall body awareness. Proper technique is key to avoiding strain or injury, and it will ensure that the muscle memory you’re developing is based on correct form. Visualize your hands gliding across the keys with ease, and focus on the sensation of each movement.

Celebrate each small increase in speed as a testament to your progress and dedication. Remember, developing muscle memory takes time and repetition, but the rewards are invaluable. As these movements become ingrained in your muscle memory, you’ll experience a newfound sense of fluidity and confidence in your playing.

Embrace the journey, and trust in the process. With patience and consistent practice, you’ll not only increase your speed but also cultivate a deep, embodied understanding of the Five Finger Scale exercise – a foundation that will serve you well as you continue to explore the vast world of piano.

3. Exercise 2: Contrary Motion Butterflies

If the Five Finger Scale exercise was the gentle introduction to hand independence, then the Contrary Motion Butterflies exercise is where the real fun begins. This creative and engaging drill takes the concept of independent hand movements to a whole new level, all while improving your dexterity and coordination.

Imagine your hands forming a delicate butterfly shape, with your thumbs meeting on middle C. As you ascend and descend the keys, your hands will mirror each other’s movements, creating a mesmerizing pattern of contrary motion. This exercise not only challenges your hand independence but also serves as a playful way to explore the keyboard and develop a better understanding of the relationships between notes.

At first, the Contrary Motion Butterflies exercise may feel a bit like patting your head and rubbing your stomach simultaneously. But don’t be discouraged! With patience and regular practice, you’ll soon find yourself executing these mirrored movements with increasing ease and fluidity.

Beyond its practical benefits, this exercise also offers a unique opportunity to infuse a sense of creativity and joy into your practice routine. As your hands gracefully dance across the keys, embrace the whimsical nature of the exercise and allow yourself to be immersed in the moment. This playful approach will not only make your practice sessions more enjoyable but will also help solidify the skills you’re developing in a more engaging and memorable way.

Proper Hand Positioning for the ‘Butterfly’

Mastering the Contrary Motion Butterflies exercise begins with establishing the proper hand positioning, which is essential for executing the mirrored movements with ease and control. Follow these step-by-step instructions to set up the butterfly hand shape and positioning:

  1. Start by sitting at the piano with a relaxed, upright posture, ensuring your arms and wrists are in a comfortable, natural position.
  2. Place your right thumb on the middle C key, and your left thumb on the same key, forming the center point of the butterfly shape.
  3. Gently curve your fingers, allowing your remaining fingers to fan out symmetrically on either side of the thumbs. Your hands should resemble the graceful wings of a butterfly poised for flight.
  4. Maintain a slight elevation in your wrists, ensuring that your hands are not resting flat on the keys. This will allow for greater mobility and control during the mirrored movements.
  5. Take a few moments to adjust your hand positioning, ensuring that your fingers are aligned with the keys and that your thumbs are securely anchored on middle C.

Remember, proper hand positioning is crucial not only for executing the Contrary Motion Butterflies exercise correctly but also for preventing strain or injury during your practice sessions. Don’t hesitate to make minor adjustments as needed to find the most comfortable and natural position for your hands.

With patience and consistent practice, the butterfly hand shape will soon become second nature, allowing you to fully embrace the playful and engaging nature of this exercise. Celebrate each small victory, and enjoy the process of exploring the keyboard through these creative mirrored movements.

4. Exercise 3: Quarter Notes vs. Eighth Notes

As you continue your journey towards mastering hand independence, it’s time to take your skills to the next level with the Quarter Notes vs. Eighth Notes exercise. This challenging yet rewarding drill will push you to new heights, requiring you to play different rhythms simultaneously with each hand.

Imagine your left hand steadily playing quarter notes, while your right hand dances across the keys with a lively pattern of eighth notes. At first, this may feel like a daunting task – like trying to pat your head and rub your stomach at the same time. However, with patience and consistent practice, you’ll soon find yourself navigating these contrasting rhythms with ease and confidence.

The beauty of this exercise lies in its ability to truly test and refine your hand independence. By introducing different rhythmic patterns for each hand, you’ll be forced to concentrate on the individual movements and timing of each hand, strengthening the neural pathways responsible for independent control.

As you progress through this exercise, don’t be discouraged if you encounter challenges or moments of frustration. Developing hand independence is a skill that takes time and dedication to master. Celebrate each small victory, and embrace the process of gradually increasing the tempo and complexity of the rhythms.

Remember, the Quarter Notes vs. Eighth Notes exercise is not just a technical drill; it’s a testament to your perseverance and commitment to becoming a well-rounded pianist. With each practice session, you’ll be laying the foundation for more advanced techniques and pieces, while also cultivating a deep sense of accomplishment and pride in your musical journey.

Counting and Rhythm Practice

Mastering the Quarter Notes vs. Eighth Notes exercise requires not only exceptional hand independence but also a strong grasp of rhythm and counting. For beginners, this aspect of the exercise can sometimes feel like a daunting challenge. However, with the right approach and a few helpful tips, you’ll soon find yourself confidently navigating these intricate rhythmic patterns.

One of the most effective strategies is to start by counting out loud. As you play the quarter notes with your left hand, audibly count “1, 2, 3, 4” in a steady rhythm. Simultaneously, count “1-and, 2-and, 3-and, 4-and” with your right hand as you play the eighth notes. This simple act of vocalizing the counts can help solidify the rhythmic patterns in your mind and body.

Another useful tip is to practice each hand’s rhythm separately before attempting to play them together. Spend time internalizing the feel of the quarter notes and eighth notes individually, allowing your muscles to develop the necessary muscle memory. Once you’ve mastered each rhythm independently, slowly introduce them together, focusing on maintaining the distinct rhythmic patterns with each hand.

Seamlessly Switching Rhythms Between Hands

Once you’ve mastered the fundamentals of the Quarter Notes vs. Eighth Notes exercise, it’s time to take your hand independence and rhythmic skills to new heights by learning to seamlessly switch the rhythm patterns between your hands. This advanced technique may seem daunting at first, but with the right drills and a positive mindset, you’ll soon be executing these rhythm swaps with ease and confidence.

One effective drill is to start by playing the quarter notes with your left hand and the eighth notes with your right. After a predetermined number of measures or beats, smoothly switch the rhythms, so your right hand takes over the quarter notes while your left hand tackles the eighth notes. Maintain a steady tempo throughout the exercise, focusing on transitioning between the rhythm patterns without any pauses or disruptions.

Another useful drill involves randomly switching the rhythms between your hands, keeping you on your toes and challenging your ability to adapt quickly. You can even incorporate visual cues, such as raising a finger or nodding your head to indicate when the swap should occur. This approach not only enhances your hand independence but also strengthens your overall focus and coordination.

As you progress through these drills, remember to celebrate each small victory and embrace the learning process. Developing the ability to seamlessly switch rhythms between your hands is a significant milestone, demonstrating your dedication and mastery of hand independence and rhythmic coordination.

With consistent practice and a positive mindset, you’ll soon find yourself executing these rhythm swaps with fluidity and confidence, opening up a world of new musical possibilities and laying the foundation for even more advanced techniques and pieces.

5. Exercise 4: The Climbing Chord Challenge

As you’ve progressed through the previous exercises, you’ve developed a solid foundation in hand independence, dexterity, and rhythmic coordination. Now, it’s time to take your skills to new heights with the Climbing Chord Challenge – an intensive exercise designed to push your finger strength and control to their limits.

Imagine your fingers gracefully ascending and descending the keyboard, each one playing a note within a chord progression. This exercise not only demands precise finger positioning and articulation but also challenges your ability to maintain evenness and control as you navigate the intricate chord shapes.

The beauty of the Climbing Chord Challenge lies in its versatility. You can start with simple triadic chords and gradually increase the complexity by introducing inversions, seventh chords, and even more advanced chord structures. This progressive approach ensures that you’re continuously challenged while also celebrating your achievements along the way.

As you practice this exercise, focus on maintaining a relaxed yet firm hand position, allowing your fingers to move with a controlled fluidity. Pay close attention to the curvature and alignment of each finger, ensuring that you’re striking the keys with the optimal finger positioning for maximum strength and dexterity.

While the Climbing Chord Challenge may initially feel daunting, remind yourself that with consistent practice and a positive mindset, you’ll gradually build the finger strength and control necessary to tackle even the most demanding chord progressions. Embrace the journey, celebrate your progress, and trust in the process – before long, this intensive exercise will become a testament to your dedication and skill as a pianist.

Proper Finger Positioning and Movement

Mastering the Climbing Chord Challenge requires not only exceptional finger strength and dexterity but also a keen attention to proper finger positioning and movement. By adhering to the correct techniques, you’ll not only enhance your performance but also minimize the risk of strain or injury, ensuring a safe and enjoyable journey towards becoming a proficient pianist.

Begin by establishing a relaxed yet firm hand position, with your wrists maintained at a slight upward angle. This will allow for optimal finger mobility and control as you navigate the intricate chord shapes. Next, focus on the curvature of your fingers, aiming for a gentle arc that aligns each fingertip with the corresponding key.

As you ascend and descend the chord progressions, pay close attention to the movement of each individual finger. Strive for a controlled, fluid motion, avoiding any sudden jerks or excessive force. Each finger should strike the key with a deliberate yet relaxed articulation, allowing for a clear and even tone throughout the exercise.

It’s also essential to maintain proper finger alignment and spacing. Ensure that your fingers are positioned directly over the keys they need to play, minimizing any unnecessary stretching or strain. Experiment with different hand positions and fingerings to find the most comfortable and efficient approach for your unique hand size and shape.

Remember, developing proper finger positioning and movement is a gradual process that requires patience and consistent practice. Celebrate each small victory, and embrace the journey of refining your technique. With dedication and a positive mindset, you’ll soon find yourself executing the Climbing Chord Challenge with ease, grace, and control, laying the foundation for even more advanced chord progressions and musical explorations.

Climbing Chord Inversions

Once you’ve mastered the fundamentals of the Climbing Chord Challenge, it’s time to take your finger strength and dexterity to new heights by exploring chord inversions. This advanced variation not only adds an extra layer of complexity to the exercise but also serves as an invaluable tool for developing a deeper understanding of chord structures and voicings.

Instead of playing the chords in their root positions, you’ll be rearranging the notes within each chord, placing different tones in the bass and altering the overall shape and positioning of your hand. This introduction of inversions may initially feel unfamiliar and even a bit awkward, but with patience and consistent practice, you’ll soon find yourself navigating these inverted chord shapes with ease and control.

One effective approach is to start with simple triad inversions, gradually working your way up to more complex seventh chord and extended chord voicings. As you ascend and descend the keyboard, focus on maintaining proper finger positioning and curvature, ensuring that each note rings out with clarity and evenness.

Beyond the technical benefits, practicing chord inversions will also deepen your musical understanding and creativity. By exploring different voicings and textures, you’ll develop a more nuanced appreciation for harmonic structures and their potential for expression.

Embrace the challenge of climbing chord inversions with a positive mindset and a willingness to learn. Celebrate each small victory, and trust in the process of gradual improvement. Before long, you’ll find yourself executing these intricate chord progressions with confidence and musicality, opening up a world of new creative possibilities in your piano playing.

How often should I practice these beginner piano exercises?

For optimal progress, it’s recommended to practice these exercises consistently, aiming for at least 15-20 minutes per day. Regular practice is key to developing muscle memory and solidifying the skills you’re working on.

Can I skip some exercises if they seem too challenging?

While it’s natural for some exercises to feel more challenging than others, it’s important not to skip any of them. Each exercise targets specific skills and techniques that build upon each other, creating a well-rounded foundation for your piano journey.

How long will it take to see noticeable improvement?

The rate of progress can vary from person to person, but with consistent practice and a positive mindset, you should start to notice improvements in your dexterity, hand independence, and finger control within a few weeks. Remember, patience and dedication are key.

Can these exercises be practiced on a keyboard instead of an acoustic piano?

Yes, absolutely! These exercises can be practiced on any type of keyboard instrument, including digital pianos and MIDI controllers. The important thing is to have access to a full set of keys to properly execute the movements and techniques.

What should I do if I experience discomfort or pain while practicing?

If you experience any discomfort or pain during your practice sessions, it’s important to take a break and assess your technique. Proper hand positioning and relaxed movements are crucial to avoid strain or injury. If the discomfort persists, consider seeking guidance from a piano teacher or a medical professional.

This article is an introduction to the Piano Genius “Exercises” Module that is waiting for you in the member’s area. Click Here to try out being a member and get access to the full Exercises Module, it’s unique and unlike practicing “scales” (ugh), the Exercises Module mimics how you actually play piano.


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I Just Performed As Part Of Greg Kihn’s Band

Last weekend I performed with Greg Kihn live, and I’ll playing with him another 10 or so times over the summer. How that came about is Rick Springfield added Tommy Tutone and Greg Kihn as extra performers on some of our shows, and Rick had in own band (including me) play with Tommy and Greg as well.

I’ve performed with quite a few different bands/artists including Terri Nunn (from Berlin, who had the hit “Take My Breath Away”), Robin Zander (singer for Cheap Trick) and of course Rick Springfield, and Greg Kihn was the first person who actually gave us basic charts of his songs.

With everyone else, I was just given a bunch of MP3s of the songs and told to learn them.  -And that’s why sheet music is so unimportant to me and why I never rely on it… Because for rock/pop and popular music it’s not really used.

Why is that? -Because it’s harder and more trouble, and overall musicians are lazy. 🙂  OK, maybe not exactly lazy, but we want to learn in the most efficient way possible, and once you’ve trained your ear to pick out chords and music parts that IS the quickest way.

Unless I have something memorized I usually play from very simple chord charts, which display just the basic chords in each measure. For instance, this is what the first 4 measures of The Breakup Song  look like:

|   Am   |   F   |   G   |   Am   |

When there’s a lower-case “m” after a chord letter it means it’s a minor chord. So hey, now you know how to play the intro to The Breakup Song. 🙂

It’s not rocket science, heh. Using basic chord charts like that and training your ear to know what sounds right and what doesn’t is all you need to start playing songs right away. If this is even slightly intriguing to you, become a Piano Genius member right now and try it out for a month and see how much easier it is.

Here’s videos of two of Greg Kihn’s biggest hits (this is an old performance below, I’m not in it )

The Breakup Song (They Don’t Write ‘Em Like That Anymore)

“Jeopardy” was another big hit of Greg’s, this one was fun for me to learn and play because the whole song is based on a keyboard harpsichord sound. 🙂  (Weird Al Yankovich had a big hit with his parody hit “I Lost On Jeopardy” too.)

Once I play some more shows with him I should be able to get some live video to put up, but for now I just wanted to show you these songs. I’m be updating soon – Tim

Related Post: I performed as part of Tommy Tutone’s band


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I just performed as part of Tommy Tutone’s band (867-5309)

Last weekend I performed with Tommy Tutone live, and I’ll playing with him another 10 or so times over the summer. How that came about is Rick Springfield added Tommy Tutone and Greg Kihn as extra performers on some of our shows, and Rick had in own band (including me) play with Tommy and Greg as well.

It’s always fun to play new gigs with new people, and the first show went really well.  We weren’t given any charts or notes or anything to learn his songs, just MP3s of the songs to listen to and learn.

That’s why relying on sheet music is a bad idea, because often there IS no sheet music. So I learned the songs the same way I always do, and the same way most rock musicians do, which is exactly what I teach my Piano Genius Members in the members area:

  1. Listen to the songs enough to be familiar with them
  2. Figure out the key of the song
  3. Figure out the basic chord progression and write out simple charts
  4. Figure out your actual parts and jot down some notes to refer back to

…All based on just using your ear to tell whether it sounds right or not.

It works like a charm and is much easier, quicker, more effective, and most importantly can always be used. There’s not always sheet music available but your ears are always available to help you play once you’ve trained them to do their job. 🙂

This video below isn’t with me it’s just an old live performance Tommy did of his hit song 867-5309. At some point over the summer I’ll get some live clips of me playing with him and add them to the site. 🙂

Here’s my main point:

Virtually all of my musician friends learn songs exactly the same way that I do.  If there was a better way or a quicker way or a more effective method to learn songs and to learn our parts, we’d use it, but there’s not.

Whether you want to play with Tommy Tutone, or play  songs on the piano at family get-togethers, or you just want to play songs for yourself in the privacy of your room , this is the best way to do it.

If you’re even the slightest bit curious, become a Piano Genius member for a month and see what you think.

Related Post: I performed as part of Greg Kihn’s band


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I played “horns” on Rick Springfield’s new song

I played keyboards on Rick Springfield’s new album “The Snake King”, and on this song “Little Demon” I played the horn/trumpet part (sampled trumpet sounds on my keyboard) , and towards the end at the 4:40 minute mark I played a synthesizer part/solo. Check it out:

Recording on someone’s album is a perfect example of why and when being able to read sheet music is unnecessary (and in fact useless.) Because to a large degree it’s the musicians’ responsibility to come up with good parts that fit the song, so it’s all about using your ear, being able to come up with parts that fit, and the ability to take direction and play a part you’re asked to play on the spot.

That’s exactly the kind of “skill stack” you’ll learn as a Piano Genius member. While I can’t promise becoming a member will lead you to getting play keyboards on a Grammy-award winning artist’s album, it can’t hurt! 🙂


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I Wish I’d Never Learned To Play The Piano

APRIL FOOLS! 

(Yep, it’s April 1st… Do “April Fools” pranks exist worldwide or only in North America? If not, please is probably confusing.)

Tim Gross here, and the truth is, learning to play piano was the *one thing* of everything I’ve done that changed my life completely.

My ability to play the piano has given me:

  • Most of my best friends (met them through music)
  • My wife (met her through music)
  • Where I live (Palm Springs – I moved there to play music)
  • My job (Playing music, touring with Rick Springfield)
  • My “business” (Showing others how to play piano)

In addition to the above, being able to play the piano has given me less tangible things as well:

  • An outlet for frustration, restlessness, and depression (just sitting down at a keyboard and playing whatever comes to mind is almost like therapy)
  • A sense of confidence (as a teenager one of the first ways I got positive attention attention was playing the piano, and that ability continues to serve me well)
  • The motivation and inspiration to obtain other skills as well, like singing, songwriting, and playing guitar, which all give their own sense of satisfaction.

Music Is An Amazing Thing

Hearing the right song at the right time can change your mood. It can remind you of a special time or a special person, or it can motivate you to be a better you or to not give up.

By becoming a musician you can be the one who can do that for someone else, and that’s a special gift that’s worth working at to have. 🙂

So share with me: What does music do for you, and what do you want from it? What do you want to be able to do on the piano? I don’t mean what songs do you want to play, I mean what’s behind it? Do you want to be able to play at your friend’s wedding? Play a song for your loved one (or hopefully future loved one?) Impress your friends, family, and even strangers? Be able to liven up a party? Just have the satisfaction of being able to sit down in private and play something that makes you happy? Let me know… No foolin’ 🙂

(Also, try out a Piano Genius membership and see what it can do for you.)


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Thomas Dolby Performing With Tim Gross

I was performing on an 80’s music week-long cruise to the Bahamas and Jamaica last week with Rick Springfield, and Lou Gramm (singer for Foreigner) and Thomas Dolby (who had the hit “She Blinded Me With Science”) were there as well. Foreigner/Lou have a LOT of hit songs, but one big hit that Lou didn’t perform in his set was “Waiting For A Girl Like You.”

That night, Rick Springfield told me 5 minutes before we were about to start playing a piano bar/jam session that he wanted to play that song. I’m familiar with the song but have never played it before, so I used my phone to try to pull up some song chords, and unfortunately some of the chords I found were wrong, so while we did make it through the song, it didn’t go that well.

We later had another piano bar/jam session and Rick wanted to do the song again, but this time I knew in advance long enough to actually play the song chords ahead of time and work out what the REAL chords were (which always helps, heh.) As it turns out, Thomas Dolby actually played the original keyboard parts on this Foreigner song (!) so he surprised everybody including me by coming out on stage to play the part:

A couple more things:

  1. We were playing the song in a different key (Em) than the song was recorded, which Thomas didn’t know, so when he started playing the part it sounded bad (oops) but he was easily able to play the same part in the different key as soon as I showed him what the starting note was.
  2. One of my “problems” is I can’t stop myself from saying something I think is funny even if it’s inappropriate. Lou Gramm has one of the strongest voices in rock music and his voice was powerful when he sang earlier the first night. So before we played “I Want To Know What Love Is” the first night, I said on the mic, “We’re going to play the song that Lou Gramm didn’t have the balls to sing earlier tonight.” (Which is funny to me because Lou is such a ballsy singer and we were just playing a quiet piano version, but for people who don’t know my sense of humor it may have been a little awkward.) And finally, at the end of the above video clip I even made a joke about Thomas Dolby… Like I said, if I think something is funny I can’t help myself. 🙂

Key Point: These kinds of impromptu “jams” or songs you’re trying to play for someone on the fly is exactly where the Piano Genius training comes and and can help you shine. I didn’t have sheet music, so that wasn’t an option, and even if there  was sheet music most people can’t sight-read it in real-time immediately.

The skills you need are 1) How to read a very simple chord chart, and 2) How to use your ear to let you know if what you’re playing sounds right.

Final Point:  I worked out what to play for that intro melody line in about 30 seconds, and to me it sounds “good enough” even after hearing Thomas Dolby’s actual part he played which was somewhat different. Even though I know it’s not 100% correct, if I were to play it again informally in the future I still wouldn’t go to the trouble to learn the official actual part, because virtually no one (except Thomas Dolby!) would know the difference, so what I’m playing is *good enough* and to me it’d be a waste of time.  (If I started performing it on stage in concert, THEN I’d of course take the time to learn the actual correct part.)

If you’re the kind of person who couldn’t stand to play that intro part I played knowing it wasn’t 100% exactly like the original part, then the piano training here on PianoGenius.com is not for you – That would make you the kind of person who needs to spend years struggling to learn to play note-for-note sheet music.

…But if you’re the kind of person who’d rather be able to play something that sounds 95% the same in a tiny, tiny fraction of the time, who likes to be able to just “wing it” and play a song they’ve never played before, then you should try out a Piano Genius membership.

You’ve got nothing to lose. And a lifetime of fun and enjoyment to gain.

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Thanks for watching, hope you enjoyed it – Tim
Got any feedback or comments? Let me know below 🙂


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Piano Solo from a Star-Studded Jam Session

I just got back from playing on an “80’s Cruise” that had a lot of musicians/bands on it: Rick Springfield, Thomas Dolby, Berlin, Mike & The Mechanics, Billy Ocean, Lou Gramm (singer for Foreigner), Loverboy, Tommy Tutone, and more.

Here’s a bit of a piano solo my wife recorded during a midnight jam session. Rick Springfield and Tommy Tutone are on stage to the left of me, and Mike Reno (singer for Loverboy) is behind me. Also on guitar is Kevin Armstrong, who plays with Iggy Pop and Thomas Dolby and previously played with David Bowie.

With these kind of impromptu things sheet music is obviously out the window (even if I was someone who reads sheet music), the best you can hop for is to hopefully recognize a song a bit so you can anticipate chord changes, and use your ear to work out chords on the fly.

Anyway, here’s a snippet from the night:

Note: The above video is from a Facebook post, if it’s not showing up on this page for you, it may be because you’re in “private browsing” mode. Also, by default the Volume is OFF on the video, so click to turn on volume.

If you want to be able to play songs you don’t really know with musicians you’ve never met before and be able to HOLD YOUR OWN on stage with them, you should try a Piano Genius piano lessons membership. You’ve got nothing to lose. And a lifetime of fun and enjoyment to gain.

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Learn To Play Piano Online Blog

Tim GrossHey, Tim Gross here, creator of the Piano Genius online piano lessons and training program. These blog updates will include piano training updates, tips, and concert tour photos of me on the road.

If you want to learn to play piano online, whether you’re a beginning piano player, intermediate, or even advanced, you’re in the right place.

I’m not a “piano teacher”, I’m a working musician and I’m sharing the way that musicians I know communicate and collaborate with other musicians.  Unless your goal is to play classical music (which you must play note for note) you’ll probably find how I learn and play songs (using a combination of the “Number System” plus play-by-ear training) to be much easier, faster, and more enjoyable.

| Watch my 10 free piano lessons | Bio/Background | Success Stories |


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